A daring graffiti artist pulled off a tag for the ages at New York’s New Museum on Wednesday, spraying the name “Acer” on the third story of the Bowery building.
The anonymous artist does not appear to have any social media existence, but there are a developing quantity of posts on Instagram demonstrating his or her operate under the hashtag #acer444.
Photos present get the job done by the artist in Seattle, San Francisco, and Oakland, before more new tags in New York.
“I don’t know nearly anything about them, other than their work only just lately started out popping up in New York,” Luna Park, a photographer and graffiti artist who rushed to doc the piece on Thursday, explained to Artnet News on Instagram. “They painted some highly visible spots—the variety that make you sit up and just take observe.”
The mysterious Acer seems to be a grasp of tagging popular however hard-to-reach spots–or “getting up,” as it is identified in the graffiti local community.
Information of the audacious artwork was initial noted by Bowery Boogie, with much more in-depth reporting by Hyperallergic. How the artist managed to evade New Museum safety to access the premises and develop these kinds of a huge piece in this sort of precarious spot remains a mystery.
The New Museum did not answer to inquiries from Artnet Information, but the institution appears to be a lot less-than appreciative of the most current addition to its facade, which is clad in an anodized expanded aluminum mesh.
By Thursday early morning, when Park arrived on the scene to photograph the piece, workers have been having difficulties to buff off the black lettering and crimson history from the building.
Due to the fact opening its Kazuyo Sejima and Ryue Nishizawa/SANAA-built flagship building in December 2007, the establishment has operate a Facade Sculpture Software, putting in substantial-scale up to date art substantial over the Bowery. Initial came Ugo Rondinone‘s beloved illuminated rainbow sculpture, Hell, Indeed!, which was on look at until eventually November 2010. That was followed with Isa Genzken’s Rose II (2007) via 2013 and Chris Load’s Ghost Ship as a result of 2017.
At present on see is Glenn Ligon’s A Little Band, installed in January 2021 in advance of the opening of “Grief and Grievance: Art and Mourning in The us,” the closing exhibition from acclaimed Nigerian curator Okwui Enwezor, who died in 2019.
The Acer 444 tag appeared just higher than Ligon’s illuminated neon piece, which reads “blues blood bruise.”
The graffiti group on Reddit is amazed with the artist’s feat, with commenters contacting his tagging of the New Museum “legendary” and “hard as fuck.”
“Absolutely crazy spot—between this and the other modern function they’ve set in, they’re actually locking it down,” wrote just one user.
“Dead ass,” one more agreed. “Even if bro didn’t strike a different place ever, this earns him a spot in historical past.”
Abide by Artnet News on Fb:
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