(RNS) — Andy Warhol’s pop-art masterpieces — paintings of Campbell’s soup cans and Brillo boxes and saturated Marilyn Monroe screenprints — deftly thrash American consumerism and celebrity culture with a cynicism carefully disguised as tongue-in-cheek. He was careful to keep his distance as a witty, shameless auteur. The first-ever exhibition […]
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Saturday, Apr 20, 2024