Tiona Nekkia McClodden, who to start with garnered recognition for her work as a filmmaker, is enduring a minute of perfectly-deserved praise within the artwork entire world. Maybe most notably, the artist amassed essential acclaim for I prayed to the completely wrong god for you, her contribution to the 2019 Whitney Biennial. Now, with a solo exhibition at David Zwirner’s outpost on 52 Walker Street, an in depth curatorial presentation at The Drop, and an set up on view at MoMA, McClodden’s momentum and impression are much more palpable than at any time.  McClodden’s determination to deciphering society’s complexities via visual mediums was sparked at an early age, and her…