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Jayson Musson has a exclusive status in the artwork entire world: he has the persona and point of view of an outsider, but he’s also a thing of an artist’s artist. Initially from the Bronx, Musson obtained his artistic commence in Philadelphia in the 2000s, producing cerebral, satirical street artwork penning a column for the Philadelphia Weekly known as “Black Like Me“ and undertaking in the cult hip-hop team Plastic Little, which set out tracks like “I’m Not a Thug,” “Rap O’Clock,” and “Miller Time.”
Musson once again popped up unexpectedly onto the radar in 2010 with “Art Thoughtz,” a Do it yourself YouTube sequence that promptly became a treasured reference in art school and art media. It starred Musson in the persona of “Hennessy Youngman,” fusing the types of artwork theory lecture and Def Comedy Jam, monologuing about every little thing from principles of splendor to Damien Hirst’s inclination to make faces in press pics. It was fresh plenty of to shock, and knowing more than enough to be a hit.
Musson has labored in a wide range of designs in the last decade, from portray to sculpture to children’s guides to mix tapes. He’s back again this month with a extremely different spin on art schooling at Philadelphia’s Fabric Workshop and Museum. Titled “His History of Art,” the new demonstrate has a characteristically offbeat premise. It can take the variety of a mixture of sitcom and PBS edutainment, with Musson starring as Jay, describing the benefit of art historical past to Ollie, a rabbit played by a puppet. And there are a lot of other surreal detours together the way.
Ben Davis, Artnet News’s national art critic and a Jayson Musson supporter, lately had a chance to communicate to the artist about his uncommon occupation and the strategy behind his new riff on artwork historical past.
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