There may be no better preparation for the looming corporatized “metaverse” than the current slew of immersive art shows. You can meld with the paintings of Van Gogh or Monet as they are projected at gargantuan scale over the walls and floors of enormous galleries. You can see yourself splintered hundreds of times in the ever-proliferating versions of Yayoi Kusama’s infinity rooms. Or you can visit the Laurie Anderson exhibition currently on view at the Hirshhorn Museum.  Not exactly a retrospective, “The Weather” is a reminder that Anderson has been at the immersive trade for a very long time. Her multimedia extravaganzas incorporate poetry, music, film, visual projections and dance…