For the past a few decades, California-primarily based artist Liz Larner has been pushing the limitations of what constitutes sculpture. Early in her exercise, the artist experimented with agar cultures, which she questioned other artists to breathe on, and then exhibited the Petri Dishes as the microorganisms grew, bloomed, and died. If that can be a sculpture, there definitely are no bounds. Larner has been proving that ever considering that. Doing work with supplies ranging from the traditional—like bronze and steel—to the absurd—like eyelashes and volcanic ash—Larner’s sculptures also run the gambit. Some are jovial and quirky some are hulking and menacing. Right now at SculptureCenter in New York, the biggest…